Wednesday, February 18, 2026

Inside Scoop creating "My Ladies" details the creation of the American Women Leaders Portrait Series

 

 

 

 

 I thought it might be insightful and interesting to discuss the considerations in creating some of the  portraits of the women leaders in this series. As I mentioned in the earlier blog each oil portrait has been carefully composed considering significant details, color, composition and to be painted at most relevant time of their lives.

 

             Clara Barton

Lets start with  Clara Barton, "The Angel of the Battlefield," the Founder of the American Red Cross.

What an amazing selfless woman, she gave her entire life and even risked her life at times, to helping people in need. I really wanted to capture the kindness and sensitivity in her face and persona.

 

 
For Clara's portrait I researched thru the Library of Congress for images of Clara. I wanted to capture her when she was still very active.

In so many of the images I reviewed, Clara is looking straight on. She has a very wide round full face, so I wanted to find a picture of her face in a 3/4 pose. I found a Matthew Brady photograph that would work great, plus have some design interest with her clothes, see below:

 

 
I did not want a 3/4 standing pose, as shown above.  I felt a cropped image of the reference photo would focus more on Clara's face and spirit and the viewers eye would not be wandering around caught in the folds of her  very full dress. 



             Frances Perkins

       "The Woman behind the New Deal" 


Wow, talk about an over achiever. What didn't she accomplish  at a time when women had very little professional opportunities.

Here are some of her accomplishments as FDR"s Secretary of Labor: 

 The first woman to serve in U.S. Cabinet,  the driving force behind the New Deal, a leader in creating Social Security, Minimum wage, Unemployment insurance, the 40 hour work week, Child labor laws, Welfare and the protection of labor rights. whew!!!

I thought it was important to paint her at what she was always doing, working!

 


I was fortunate to find a reference photo of Frances at her desk, pen in hand, wearing her famous grey triangular hat. I changed the back ground to make it simpler and less distracting. Even though I usually try to make  people look better and younger, I felt, since she was such a workaholic, I would paint her looking as tired as she was. 

Below is the reference photo.





Ida B.Wells 

Once again, I researched photos of Ida B. Wells, the powerful civil rights activist and journalist. I chose this one because it conveyed her power and "Bull Doggedness". 
Also, I loved her pose with the red  carnelian beads, no nonsense  power dress with the hard shinny black buttons, finger ready to point  and direct, and the great carved lion on the  wooden chair.
 
 
Here is the reference photo that I worked from. 

 
Now, there was a compositional problem with the above reference photo; too much space on the top left side of the photo, so your eye wanders there in that empty space.  But, I came up with an answer, thanks to good dear pal, Rembrandt. 
I added more to the right side, to balance the left side and I added a semi-circle to each side to fill in the empty void. See Rembrandt's application below. 

Image result for Rembrandt Paintings Self Portrait 
 
 
 
 
 Ida Tarbell   
 
 The most famous Muckraker 
 The woman that took on Standard Oil! 
 
Boy, I had fun with this portrait! I tried to evoke her as a snake coiled and ready to bite! 
 

Ida was a friend of Mark Twain's, and since I am a Twainiac and live on his original property, the portrait was even more special to me. Plus the fact the Ida lived in Easton Connecticut the next town over from Redding. 
I had to change the background, so as not to detract from Ida and I added to her left hand, as in the reference photo it was not shown. I placed a pen in her hand, since she was a writer journalist and I redesigned her hat to give it an Indian on the war path feel. I also delighted in adding  wooden "ball" like additions to the chair...guess why!
 

 

 

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